Positioning and messaging
Identity, value propositions, and emotional and functional descriptions of the product.
I help Russian-speaking founders give complex products clear positioning, credible English-language narratives and an audience that genuinely cares. I build communications from scratch — or fix the ones that aren't working.
20+ years in PR, media and international projects. Briefs in Russian or English; deliverables in English and Russian; spoken German too.

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Four pieces of work for B2B technology, AI, SaaS, AgTech, fintech, immersive media and other complex products.
Identity, value propositions, and emotional and functional descriptions of the product.
Tone of voice and founder narrative. Website, decks and sales scripts. An editorial plan and core assets — articles, white papers and case studies for the people you need to convince.
I define the audience, study its language and sign systems, analyse competitors' communications, and build a hierarchy of channels, messages and proof points that both people and AI can use.
Media and analyst maps, press materials, journalist pitches, founder commentary and speaking topics. Touchpoints, content plans and schedules. The “containers” that carry each message, and the role of each. Tools and briefs for future hires or agencies.
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Five steps, scaled to the stage and the budget.
Semiotic analysis
Identity creation
and target audiences
and processes
and feedback loops
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Recent and earlier work in technology, Web3, museums and the arts. Details and references on request.
Content lead and technical writer for BridgeApp, an AI-driven collaboration platform. Researcher and content strategist for iFarm, a vertical-farming technology developer: more than ten full-scale regional market studies and media materials explaining the technology and its SaaS software.
Content and community communications for Tonkeeper, mFactory and jFactory (JPool, staking.kiwi), Curio Invest (RWA tokenization) and Quan2um, an Islamic-finance-compliant exchange: technology presentations, social media and affiliate communications.
Years of work with technology for museum storage, exhibition and restoration, supplying research centres, archives and museums. Involvement in creating museums, and technology solutions for exhibitions, including XR, VR and projection. Scripts for interactive presentations and museum installations.
Communications for Nino Katamadze and other performers: press materials and album launches. Earlier, an event agency that founded and produced Usadba Jazz, a major jazz open-air festival. Chief creative officer at two advertising agencies. Work with artists, influencers and cultural media.
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What a founder gets that is hard to find in one person.
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Common problems I am asked to solve.
A journalism background. I work from primary sources, interviews and data before I write a single claim.
Columns, articles, interviews, scripts, decks and white papers in English and Russian.
A background in how signs, words and cultural codes are read by a specific audience, used to test names, claims and visuals before they go public.
Daily work between Russian-speaking teams, artists and international audiences, so nothing important is lost between the brief and the market.
A background in history and museum studies, with a working understanding of museum technology (restoration, storage, exhibition design, cataloguing and archiving) as well as IT, AI and Web3.
First, read the context: how the market and the industry perceive the product right now (complete obscurity is a starting position too). Then translate the value of the technology into the language of your target audience and bring in the channels: industry media, niche influencers, communities and the founders' own channels.
Sustainable, effective communication is largely routine. It rests on consistency and on matching every message precisely to its touchpoint. I build this system end to end, from field research into how your audience makes sense of things to launch and scaling.
Start with positioning, not with sending out press releases: state precisely what you do and for whom, what problem you solve and why people can trust you. Define your goals, principles and the limits of what is acceptable. It sounds obvious, but this foundation is often the hardest thing for founders to put together on their own.
On that foundation you build the architecture: the hierarchy and timing of key messages, core materials, a channel map and a clear approval process.
I set up every element of the system, prepare templates and briefs, then hand the processes over to your team or contractors to run on their own.
Usually the problem is the narrative, not the product itself. Most often the lens has to change: rebuild the story around the market problem and the dynamics of the category, and bring traction into sharper focus by showing the growth curve. Sometimes it is enough to change the vocabulary, for example by simplifying the language.
I align the founders' talking points, pitch deck, one-pager and social media content so that every piece tells one consistent, convincing story.
Research how buyers in the target market describe, in their own words, the problem you solve. Most often it is enough to adjust the positioning: rewrite the messaging, website and sales materials in language that feels natural to the customer.
Sometimes an audit reveals a different cause: the product is aimed at the wrong segment, and you need to speak to other user groups through other cultural codes. I find this point of disconnect and rebuild communication around how the market actually perceives you.
Often, yes: when the market does not see the value, sales cycles stretch. Clear value propositions, proof points, case studies and sales scripts shorten the path from first contact to decision. I do not run sales teams, but I build the messages and materials they use.
Investors and buyers are not just assessing an idea. They are buying a story backed by evidence. That credibility rests on three pillars: market logic, the founders' drive and a dense trail of independent mentions and context around the project that makes every claim believable.
Financial due diligence and legal structuring stay with specialist experts. I cover the communication and meaning side: I assemble the arguments, sharpen the pitch deck and prepare the project's public presence for the round or an M&A deal.
Start by researching the market itself: its niches and problems, the cultural codes and sign systems of potential customers, competitors and specialist media. Then adapt the positioning and key messages, prepare materials in the audience's native language, and map the channels and opinion leaders that really influence decisions in the target region.
External relations are more than a contact list for mailings. What is usually missing is a coherent communication system and its meticulous, step-by-step execution: no strong core materials, no clear messages tailored to target groups, no one in charge and no set rhythm. The priority audience is offered secondary arguments, or nobody budgeted for getting into its field of attention, while a potentially loyal customer's attention goes to competitors' communications. Fixing this means retuning the communication function, from the map of channels and partners to working templates and the editorial calendar.
Contractors often think commercially first, and a vague brief becomes a profitable way to work: you spend budget on dozens of loose meetings and exhausting rounds of re-approval.
Agencies are more effective when given narrow, focused tasks with specific metrics and requirements.
Start with an audit: what is already known about you and in which channels, and in which of them each agency can actually strengthen your communication. Most often the brief has to be rebuilt and the success criteria fixed firmly. Then the contractor works on the right task, and the effect of its work becomes transparent and measurable.
Then its structure needs rebuilding. The first screen should carry a clear, convincing promise. Below it: targeted value propositions for each audience segment. No abstract jargon, no excess emotion or pushy imperatives. Where needed, a plain explanation of a complex underlying subject. Analogies, arguments, verifiable evidence, case studies, links to external publications (and inbound links from them). And an invitation to a conversation, or a clear path to a deal.
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Pick the path that matches who is writing.
Tell me what you are building, which market you are entering and what is not working in your communications yet. A few lines in English or Russian are enough.
Machine-readable specifications for autonomous agents and LLM orchestrators.